February 2024 Reading List
Never Finished by David Goggins:
The story of David Goggins, labeled the 'hardest man alive,' continues from where 'Can't Hurt Me' left off.
If you're unfamiliar with Goggins, a deep dive on YouTube will reveal countless interviews with the likes of Joe Rogan, Jordan Peterson, Andrew Huberman, and others. Not to mention the myriad of re-edited clips showcasing Goggins' intense training—calling it a 'routine' hardly does it justice, as it's essentially his way of life. Goggins challenges his mental fortitude by pushing his physical limits. His initial journey from an overweight, underachieving exterminator to a Navy SEAL and a leading ultra-athlete is inspiring. 'Never Finished' picks up as Goggins, now in his forties, grapples with serious injuries from his rigorous lifestyle, some requiring surgery, threatening his ability to run again. Yet, facing adversity, Goggins forges ahead, embodying resilience. The book is a treasure trove of astonishing feats and daunting challenges, showcasing how Goggins transcends them, and became an indomitable character. It is impossible to read this book without hearing his voice, motivating readers to get off the couch, go out for a run, or do some pull-ups. Stay hard!
Ignorance is Strength (Book I - The Dystopian Triptych) and Burn The Ashes (Book II - the Dystopian Triptych) Edited by John Joseph Adams and Hugh Howey
One of my favorite short story collections was “The Apocalypse Triptych” also edited by John Joseph Adams and High Howey. The premise there was that all the contributing authors would write a story set right before the start of the apocalypse, during the apocalypse and after the apocalypse, following either that same characters or existing in the same world they created in the original story. This collection echoes that concept, with the shift from apocalypse to dystopia allowing for a broader thematic exploration. Yet, compared to the acute tension and dread of the apocalypse narratives, these dystopian tales, while intriguing, occasionally miss the mark, veering into preachiness that can dilute the narrative's impact. The first two installments of this series offer enjoyable reads, though they don't quite match the original's intensity or coherence. Hugh Howey's “The Inheritors” stands out in the first book, despite a somewhat disappointing conclusion, with its premise more effectively explored in the sequel. I've yet to dive into the third book, promising a future update. Amidst various contributions, stories like the shadow prisons resonate deeply, provoking thought and sending shivers down my spine. It's noteworthy that these stories were penned during the Covid lockdown, adding a layer of relevance and immediacy. Interestingly, I had the opportunity to co-author a story for this collection, but due to scheduling conflicts, it remained unwritten. Inspired by this, I'm considering revisiting the idea for my Ray Bradbury weekly short story challenge. This reflection not only reviews the collection but also touches upon personal involvement and future aspirations within the writing landscape.
The Man With The Golden Typewriter Edited by Fergus Fleming
I have a soft spot for books about writing, which might not come as a surprise, given my own profession as a writer. The impact goes beyond monetary gains, touching on personal growth and the chance encounters with fascinating characters. Ian Fleming's creation of James Bond stands out as a prime example of an author achieving phenomenal success and influence through a singular character. The book delves into the origins of Bond's most iconic adventures and traits, from his prowess in baccarat to his choice of weapon, the Walther PPK, and even the backstory of villains like Goldfinger. This intimate connection between the creator and their creation, where the craft profoundly influences the craftsman, is uniquely potent in writing. This is due to the directness with which writers engage with their work. As I delve into writing the second and third books featuring my own character, Eddie Ankin, I find Fleming's evolving relationship with Bond both fascinating and relatable. Fleming's experience mirrors that of Sir Arthur Conan Doyle with Sherlock Holmes, where despite occasional weariness, the allure of the character and the stories' impact on readers compelled him to continue their legacy.
The Ones That Got Away by Stephen Graham Jones
My introduction to Stephen Graham Jones was through another of his short story collections, “When The People Lights Go Out,” which I found utterly compelling, instantly drawing me into his unique storytelling style. While I enjoyed this collection too, the stories in this collection didn’t stick with me quite as much, though I enjoyed the majority of them. However, my appreciation for horror and suspense—genres I aim to master in my own writing—made the experience worthwhile. The thrill of losing myself in stories filled with unease, anxiety, and outright terror ranks among my favorite reading experiences. Eager to dive deeper into Jones's world, I've picked up my’ first full length novel of his, My Heart Is A Chainsaw.' As an 80s kid, raised on slasher films I am very much looking forward to that one. Meanwhile, I'm currently reading 'The Deep' by Nick Cutter, following 'The Troop' which was disturbing, and oh so creepy. Look out for my reviews of both in my March reading list.
Heat 2 by Michael Mann and Meg Gardiner
As a self-professed crime novel and movie enthusiast, with a particular fondness for stories about thieves and con artists, I approached this book with both excitement and caution. The prospect of a literary sequel to what might be the greatest heist movie ever was thrilling, yet I feared it might not be more than a glorified movie novelization. Despite my unfamiliarity with Meg Gardiner's work—knowing only of her solid reputation—I was skeptical the book could capture the essence and excitement of the film, especially with the iconic Neil McCauley's story seemingly concluded in the movie.
I'm pleased to report my skepticism was unfounded. The book serves as both a prequel and a sequel, intricately weaving between the past and present of the film's characters. It follows Vincent Hanna as he wraps up his investigation of McCauley's crew and Chris Shihirlis as he seeks a new life beyond Los Angeles. Transitioning between 1988, 1996, and 2000, the narrative is pulpy, quick-paced, and vividly cinematic. While some coincidences stretch believability and certain minor villains lack depth, the novel stands as a commendable addition to the crime genre.
Rumors suggest Mann might adapt this into a movie, though its structure seems to me more suited for a miniseries. If that happens I will be buying a ticket to the theater.